By Murtha Baca, Patricia Harpring, Elisa Lanzi, Linda McRae, Ann Baird Whiteside
In a visible and artifact-filled international, cataloging one of a kind cultural gadgets with out released instructions and criteria has been a challenge.
Now for the 1st time, below the management of the visible assets organization, a cross-section of 5 visible and cultural background specialists, in addition to rankings of reviewers from diverse associations, have created a brand new facts content material ordinary thinking about cultural materials.
This state of the art reference bargains useful assets for cataloging and adaptability to satisfy the desires of quite a lot of associations from libraries to museums to records. continuously following those instructions for choosing, ordering, and formatting facts used to populate metadata components in cultural fabrics catalog records:
* Promotes strong descriptive cataloging and decreases redundancy
* Builds a beginning of shared documentation
* Creates facts sharing opportunities
* complements end-user entry throughout institutional boundaries
* enhances latest criteria (AACR)
This is a must have reference for museum pros, visible assets curators, archivists, librarians and an individual who records cultural gadgets (including structure, work, sculpture, prints, manuscripts, images, visible media, functionality paintings, archaeological websites, and artifacts) and their photographs
Read Online or Download Cataloging Cultural Objects: A Guide to Describing Cultural Works And Their Images PDF
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Additional resources for Cataloging Cultural Objects: A Guide to Describing Cultural Works And Their Images
Church of the Birth of the Blessed Virgin ........... Dome ........... Façade ...... Tower of Hrelio 16 Part O NE: General Guidelines Former structures, designs that were never built, and architectural competitions may also be linked through whole-part relationships. 3 Examples [for the basilica in the Vatican, Italy] Saint Peter 's Basilica ...... Old Saint Peter 's (original structure, 324-1451) ...... New Saint Peter 's (current structure, 1451-present) ............ Façade ............ Dome ............
As a result, Source Authority records can be used many times over. Example [a source reference and page number as it is displayed in a Personal and Corporate Name Authority record] Sources: Bolaffi, Dizionario dei pittori italiani (1972-1976) [linked to Source Record] Union List of Artist Names (1988-) [linked to Source Record] Thieme-Becker, Allgemeines Lexikon der Künstler (1980-1986) [linked to Source Record] Page: 13:408 ff. [field in the Personal and Corporate Name Authority record] Rules for the Source Authority Record information in the Source Authority or in free-text source notes consistently, using the rules in CDWA, AACR, and the Chicago Manual of Style.
Part O NE: General Guidelines 25 In a visual resources collection, the primary focus of cataloging is to describe and provide access to image content. For example, subject description might be more important than a detailed physical description of the work depicted in a visual resources collection. Each Work Record may have many images linked to it. In addition, many images will be supplemental to the work—used to support access to some aspect of the work, set the work within a stylistic, geographical, or chronological context—but may not depict the work itself.