Download Friendly Fire: American Images of the Vietnam War by Katherine Kinney PDF

By Katherine Kinney

Hundreds and hundreds of memoirs, novels, performs, and films were dedicated to the yank battle in Vietnam. despite the nice number of media, political views and the levels of seriousness with which the warfare has been taken care of, Katherine Kinney argues that nearly all of those works proportion a unmarried tale: that of usa citizens killing americans in Vietnam. pleasant hearth, during this example, refers no longer in simple terms to a sad mistakes of warfare, it additionally refers to America's conflict with itself throughout the Vietnam years. ranging from this aspect, this booklet considers the idea that of "friendly hearth" from a number of vantage issues, and portrays the Vietnam age as a crucible the place America's cohesive photograph of itself is shattered--pitting squaddies opposed to superiors, doves opposed to hawks, feminism opposed to patriarchy, racial worry opposed to racial tolerance. by utilizing large proof from the movie and well known fiction of Vietnam (e.g. Kovic's Born at the Fourth of July, Didion's Democracy, O'Brien's Going After Cacciato, Rabe's Sticks and Bones and Streamers), Kinney attracts a strong photo of a state politically, culturally, and socially divided, and a battle that has been memorialized as a contested website of paintings, media, politics, and beliefs.

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But Kovic's exploration of his own complicity deepens rather than, as McInerney argues, contradicts "the text's thesis of cultural manipulation" (199). Accidentally killing another American in battle throws into crisis Kovic's ideological assumptions, much as the killings at Kent State would later. He had panicked with the rest of them that night and murdered his first man, but it wasn't the enemy, it wasn't the one they had all been taught and trained to kill, it wasn't the silhouette at the rifle range he had pumped holes in from five hundred yards, or the German soldiers with plastic machine guns in Sally's Woods.

Kirby York stands outside intimate relations. He is neither one of the fathers to young Lt. Michael O'Roarke (John Agar)—that role is filled to bursting by Ward Bond as Sgt. Major O'Roarke and the other noncom "Uncles," Irishmen or ex-rebels all —nor a rival suitor to Philadelphia Thursday (Shirley Temple). He is peripheral to all relationships and action in the film with one exception: He is the link to Cochise. And in this one connection the most salient characteristic of Wayne's Western persona is forged.

Hasford's characters arrive in bootcamp making John Wayne jokes. The first reference to Wayne in The Short-Timers is a statement of irony and an act of mimicry, elicited by the insults of an "obscene little ogre in immaculate khaki," Gunnery Sergeant Gerheim, the senior drill instructor. A wiry little Texan in horn-rimmed glasses the guys are already calling "Cowboy" says, "Is that you John Wayne? " Cowboy takes off his pearl gray Stetson and fans his sweaty face. I laugh. Years of high school drama classes have made me a mimic.

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