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By Renny Christopher

This booklet seeks to reformulate the canon of writings on what's known as "the Viet Nam warfare" in the United States and "the American warfare" in Viet Nam. until eventually lately, the authorized canon has consisted nearly completely of yank white male wrestle narratives, which regularly mirror and perpetuate Asian stereotypes. Renny Christopher introduces fabric that screens a bicultural viewpoint, together with works through Vietnamese exile writers and by way of lesser-known Euro-Americans who try to bridge the cultural gap.

Christopher lines the historical past of yank stereotyping of Asians and exhibits how Euro-American ethnocentricity has restricted so much American authors' skill to symbolize quite the Vietnamese of their tales. via giving us entry to Vietnamese representations of the battle, she creates a context for knowing the best way the struggle used to be skilled from the "other" part, and he or she bargains perceptive, well-documented analyses of ways and why americans have so emphatically excised the Vietnamese from narratives a couple of struggle fought of their personal kingdom.

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Additional resources for The Viet Nam War the American war: images and representations in Euro-American and Vietnamese exile narratives

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S. conduct of the war itself by remarking that "failure to read Vietnamese cultural history, however, would prove fatal to the desire to avoid a quagmire" (28). He replicates the error he criticizes, though, by valorizing the experience of the American soldier as the major category through which to view the war.  . buffeted continually by the shifting practices of Saigon and Washington" (27). " These are particularly passive stereotypes, leaving no room for images of active resistance, such as that posed by the NLF.

He had been a lieutenant; his father, a retired colonel, had meant for him to be a career officer, but he had been so disillusioned by the war that he left the army after his tour in Viet Nam. He told me war stories. He told me about patrolling with his mechanized cavalry platoon around the Michelin rubber plantation: the United States Army received word each week from the plantation managers about where they would be harvesting, and the army avoided those areas in their patrols. That was what disillusioned him and made him leave the army.

One of Myers's main assertions is that the fullest and most self-conscious works redefine the American complexes of innocence and experience, guilt and expiation, taking into account not only the price paid by the Vietnamese in human life, material waste, and cultural fragmentation, but also the admission that any assertion of American victimization or loss must be accompanied by a recognition of the national capacity for excess and destruction. (26) But most of the writers he studies, including Del Vecchio, O'Brien, Caputo, and Herr, do not take much account at all of "the price paid by the Vietnamese," in any more than superficial observations.

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