By John Lowney
During this nuanced revisionist background of contemporary American poetry, John Lowney investigates the melancholy era’s impression on past due modernist American poetry from the socioeconomic situation of the Nineteen Thirties during the emergence of the hot social pursuits of the Nineteen Sixties. proficient via an ongoing scholarly reconsideration of Thirties American tradition and targeting Left writers whose old awareness used to be profoundly formed by way of the melancholy, international warfare II, and the chilly warfare, Lowney articulates the Left’s demanding situations to nationwide collective reminiscence and redefines the significance of overdue modernism in American literary background. The overdue modernist writers Lowney stories such a lot closely---Muriel Rukeyser, Elizabeth Bishop, Langston Hughes, Gwendolyn Brooks, Thomas McGrath, and George Oppen---are no longer all quite often linked to the Nineteen Thirties, nor are they in general obvious as literary friends. by means of analyzing those past due modernist writers relatively, Lowney foregrounds variations of gender and sexuality, race and ethnicity, and social classification and sector whereas emphasizing how every one author constructed poetic varieties that answered to the cultural politics and socioaesthetic debates of the Thirties. In so doing he calls into query the bounds that experience restricted the scholarly discussion approximately sleek poetry. No different examine of yank poetry has thought of the actual collecting of careers that Lowney considers. As poets whose collective old attention used to be profoundly formed by means of the turmoil of the melancholy and struggle years and the chilly War’s repression or rewriting of historical past, their different abilities signify a different generational impression on U.S. and foreign literary background.
Read Online or Download History, Memory, and the Literary Left: Modern American Poetry, 1935-1968 (Contemp North American Poetry) PDF
Similar 20th century books
Put up yr observe: First released in 1999
Renowned ethical thinker Jonathan Glover confronts the brutal historical past of the 20 th century to solve the secret of why such a lot of atrocities happened. In a brand new preface, Glover brings the ebook in the course of the post-9/11 period and into our personal time—and asks even if humankind can "weaken the grip warfare has on us. "
Praise for the 1st edition:
"It is difficult to visualize a extra vital booklet. Glover makes an overpowering case for the necessity to comprehend our personal inhumanity, and decrease or put off the ways that it could actually convey itself—and he then starts off the duty himself. Humanity is a unprecedented fulfillment. "— Peter Singer, Princeton University
"This is a rare ebook: very good, haunting and uniquely very important. virtually forty years in the past a president learn a top vendor and kept away from a holocaust. i admire to imagine that the various leaders and fans of day after today will learn Humanity. "—Steven Pinker, big apple instances ebook overview
The Sixties, the Rock 'n' Roll Decade, observed the 1st televised Olympics, the 1st basketball participant to attain a hundred issues in one video game, and the 1st tremendous Bowl. scholars, researchers, and normal readers alike could be enthralled through 1960 1969, moment version as they know about those significant milestones in activities via a vibrant presentation and convenient reference beneficial properties.
In an exam of faith assurance in Time, Newsweek, lifestyles, The Saturday night publish, Ebony, Christianity this day, nationwide assessment, and different information and exact curiosity magazines, Sean McCloud combines non secular historical past and social concept to research how and why mass-market magazines depicted religions as "mainstream" or "fringe" within the post-World warfare II usa.
A plague breaks out on a U. S. nuclear submarine off the coast of Cuba. through the writer of The court docket Martial of Robert E. Lee.
Additional info for History, Memory, and the Literary Left: Modern American Poetry, 1935-1968 (Contemp North American Poetry)
Citing the example of the International Union of Revolutionary Writers in Europe, Hart appealed to the international revolutionary imperative of uniting with “the forces of progress against the prevailing dangers of war, fascism, and the extinction of culture” (Introduction –). As Hart’s account of the congress’s proceedings underscored, the need for American writers to ally themselves with the working class was closely related to the increasingly pressing need to ﬁght against fascism, in the United States as well as abroad.
If Stevens’s poem translates the refuse of the dump into an aﬃrmation of poetic imagination, an aﬃrmation as well of the analogous power of organic processes to transform the site of ruin, it does so ironically. Its fragmentary allusions to romantic tropes are themselves scattered among the poem’s debris, as worn in their associations as they are visibly out of place, typographically conspicuous, on the dump. Unlike The Waste Land, in which fragments of cultural memory oﬀer potential patterns of coherence to compensate for the chaotic ruins of urban modernity, Stevens asserts the incompleteness of the romantic fragment, inscribed within the ruins topos of the dump.
The decline of poetry corresponded with the rise of capitalism, “which aggrandizes the individual” and is thus hostile to the “social art” of poetry (Schneider ). The forms of poetry that had survived in the marketplace were either limited in their social scope (individualistic forms such as the lyric, for example) or, conversely, so diﬃcult and obscure that they were inaccessible to a mass audience. ” He argues simultaneously for the renewal of a broad public for poetry and for the revolutionary purpose of proletarian poetry, as he asserts that revolutionary poets share two aims: “to prepare themselves for the new role of poetry” and “to make their poetry a weapon for the overthrow of capitalism” (Schneider ).